Lorenzo Montatore on Mortality and Humor

Cartoonist Lorenzo Montatore has released a new book titled 'No sé, pero... creo que moriré'. The publication serves as a platform for the artist to reflect on the subject of death. He utilizes humor as a primary vehicle for this exploration. Montatore characterizes his engagement with this theme as a constant rumination. He admits that this process is something he cannot stop.

The book represents a continuation of Montatore's artistic inquiry into existential themes. By framing the discussion of mortality within a humorous context, the work invites a unique perspective on a universal experience. The title itself suggests a blend of uncertainty and inevitability, which aligns with the author's stated intent. This release adds to the cartoonist's growing body of work.

Lorenzo Montatore's creative voice is rooted in a childhood defined by extensive reading. He has stated that as a child, he read everything that fell into his hands. This broad consumption of literature ranged from the sensationalist 'Teleindiscreta' to the literary canon of Valle-Inclán. Such a diverse foundation provided him with a wide array of narrative styles and thematic material.

This eclectic reading habit likely contributed to his ability to blend high and low culture in his work. The exposure to different genres at a young age can shape an artist's versatility. Montatore's ability to tackle serious subjects like death with humor may stem from this early immersion in varied storytelling forms. His background demonstrates how early influences can impact mature artistic output.

Montatore has provided insight into his mental process regarding his work. He explicitly stated, "Es una rumiación constante, no lo puedo evitar" (It is a constant rumination, I cannot avoid it). This quote reveals the involuntary nature of his creative thinking. The subject of death occupies his thoughts continuously. This persistent focus drives his artistic expression.

The cartoonist's admission highlights the deeply personal nature of his work. It is not merely a job, but a compulsion. This level of dedication often results in authentic and compelling art. Montatore's confession offers a glimpse into the mind of a creator who is inextricably linked to his subject matter. The inability to 'avoid' this rumination suggests that his art is a necessary outlet for these thoughts.