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Antonio Resines: The Actor Who Doesn't Drive
Entertainment

Antonio Resines: The Actor Who Doesn't Drive

The veteran Spanish actor, known for over 150 productions, confesses he never learned to drive and recounts a terrifying incident during a film shoot in Roses.

La Vanguardia2h ago
5 min read
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Quick Summary

  • 1Veteran Spanish actor Antonio Resines, born in 1954, has built a career spanning four decades and over 150 productions.
  • 2The actor openly admits he does not possess a driver's license and relies on his wife for transportation.
  • 3During a film shoot in Catalonia, Resines experienced a near-fatal accident when he reversed his vehicle on a curve in Roses and nearly fell off a cliff.
  • 4Despite his extensive filmography and critical acclaim, including a Goya Award, Resines maintains a personal life where his wife handles all driving responsibilities.

Contents

A Life on ScreenBehind the WheelA Near-Fatal IncidentThe Professional's PerspectiveLife Beyond the Set

A Life on Screen#

Born in Torrelavega in 1954, Antonio Resines decided from a young age that his destiny was not anchored to a single place. Madrid became his primary stage, first as a student and later as a home for his career in film and television, which he embraced as a life-changing pursuit.

Over four decades, Resines has left an indelible mark on the seventh art with more than 150 productions. His filmography includes notable titles such as Ópera prima, La colmena, Sé infiel y no mires con quién, and La buena estrella, for which he won a Goya Award. He also starred in Dos mejor que uno, La caja 507, and the unforgettable Amanece que no es poco, directed by José Luis Cuerda.

Behind the Wheel#

Despite his extensive travels and time on film sets, the actor has a unique personal limitation: he does not drive. Resines has never obtained a driver's license, a fact he openly discusses. He relies entirely on his wife for transportation, a dynamic he describes with humor and practicality.

When they are on the road, his wife handles all driving duties. Resines, meanwhile, occupies himself with other tasks. He notes that he provides conversation or manages the smaller details of the journey, such as offering water or changing the music. This arrangement has become a standard part of their life together.

"Conduce siempre mi mujer, yo doy conversación o me ocupo de acercar el agua, cambiar la música y esas cosas."

"Conduce siempre mi mujer, yo doy conversación o me ocupo de acercar el agua, cambiar la música y esas cosas."
— Antonio Resines, Actor

A Near-Fatal Incident#

While Resines may not drive on public roads, he has been behind the wheel in professional settings. He recounted a terrifying experience that occurred during a film shoot in Catalonia. The incident took place on a road in Roses, a location that became the site of a life-threatening moment for the actor.

Resines described the event as a moment where he "almost killed himself." While navigating a curve, he made the decision to reverse his vehicle. This maneuver proved disastrous as he was on a precarious section of the road. The car began to slide backward toward the edge of a steep drop.

The situation escalated rapidly as the vehicle approached the precipice of a barranco (ravine). Resines managed to stop just before going over the edge, averted a catastrophe by mere inches. The memory of that moment remains vivid, highlighting the dangers that can accompany film production in remote or challenging locations.

The Professional's Perspective#

Resines' career is defined by his versatility and dedication to the craft. His ability to navigate complex roles and diverse genres has made him a respected figure in Spanish cinema. From comedy to drama, his performances have consistently resonated with audiences and critics alike.

The actor's collaboration with José Luis Cuerda on Amanece que no es poco remains a highlight of his career. The film is celebrated for its unique humor and distinctive style, cementing Resines' status as a leading talent. His work in La buena estrella further demonstrated his dramatic range, earning him the industry's highest honor.

Despite the accolades and the sheer volume of his work, Resines maintains a grounded perspective on his life and career. He balances his professional commitments with a personal life that, while largely private, includes the simple reality of depending on his wife for mobility.

Life Beyond the Set#

Antonio Resines represents a generation of Spanish actors who built their careers on consistency and passion. His story is not just one of cinematic success but also of personal idiosyncrasies that make him relatable. The fact that a man who has traveled the world for film shoots does not drive adds a layer of humanity to his public persona.

The near-miss in Roses serves as a stark reminder of the risks inherent in filmmaking, even for seasoned professionals. It underscores the unpredictable nature of location shoots and the importance of safety. For Resines, it remains a defining anecdote of a long and storied career.

As he continues to contribute to the Spanish film industry, his legacy is secured by his extensive body of work and the memorable characters he has brought to life. Whether on screen or as a passenger in his wife's car, Antonio Resines continues his journey, leaving a trail of cinematic history and personal stories behind him.

Frequently Asked Questions

Antonio Resines is a veteran Spanish actor born in Torrelavega in 1954. He has appeared in over 150 film and television productions over a four-decade career and is a recipient of the Goya Award.

No, Antonio Resines does not have a driver's license. He openly admits that he does not drive and relies on his wife to handle all driving responsibilities.

While filming in Roses, Catalonia, Resines was involved in a near-fatal accident. He reversed his vehicle on a curve and nearly fell off a cliff into a ravine, stopping just in time to avoid disaster.

Some of his most notable films include 'Amanece que no es poco', 'La buena estrella' (for which he won a Goya), 'La colmena', 'La caja 507', and 'Ópera prima'.

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