Oscar Snubs 2026: 30 Films Overlooked

The 2026 Oscar nominations have officially been announced, confirming the industry's biggest contenders for cinema's most prestigious awards. As anticipated, the ballot was dominated by a select group of high-profile films, creating a clear hierarchy of favorites. The Academy's selections highlighted a competitive year where specific directors and projects captured the majority of the spotlight.

While the morning brought celebration for many, it also marked a moment of disappointment for a significant number of other films. The final list of nominees underscored a stark divide between the recognized and the rejected. In a year defined by cinematic excellence, the Academy's choices have sparked immediate conversation about which films made the cut and which were left behind.

At the forefront of this year's nominations is Ryan Coogler's highly anticipated film, “Sinners.” The movie did not just secure a spot; it shattered expectations by earning an astounding 16 nominations. This achievement marks a historic moment for the Academy, as the film has now become the most-nominated movie in its entire history, setting a new benchmark for future contenders.

The success of “Sinners” was part of a larger trend of recognition for a handful of powerful films. The Academy's ballot was heavily populated by other major works from celebrated filmmakers. The list of top contenders includes:

• Paul Thomas Anderson's “One Battle After Another”
• Chloe Zhao's “Hamnet”
• Joachim Trier's “Sentimental Value”

These films collectively represent the core of the 2026 awards race, earning multiple nominations and solidifying their status as the season's biggest winners. Their success, however, came at the expense of dozens of other films that were hoping for similar recognition.

For every film that received a nomination, there were others that were completely overlooked. The Academy's final list confirmed that approximately 30 acclaimed movies were rejected from the 2026 Oscars. This extensive list of snubbed films includes a wide variety of genres and directorial styles, many of which had generated significant buzz throughout the year.

Among the most notable films that failed to secure a nomination are several high-profile projects from visionary directors. The roster of rejected cinema includes:

• “Materialists”
• “Die My Love”
• “Ann Lee”
• “Eddington”
• “Hedda”
• “Roofman”

These titles represent just a fraction of the films that were left off the final ballot. The absence of these movies from the major categories highlights the intensely competitive nature of the awards season and the difficult choices faced by voters.

The 2026 nominations paint a picture of a year with a clear and decisive focus. The Academy's selections created a sharp distinction between a small group of celebrated films and a much larger pool of overlooked contenders. While “Sinners” and its fellow nominees were embraced with historic enthusiasm, the 30 rejected films represent a significant body of work that failed to resonate with voters.

This division is not just about numbers; it reflects the subjective nature of artistic recognition. The films that were shut out, including works by Paul Thomas Anderson and Chloe Zhao, were part of a competitive landscape where only a select few could be chosen. The final tally serves as a stark reminder that even films with critical acclaim and notable directors can be left on the outside looking in.

The 2026 Oscar nominations have set the stage for a highly anticipated awards ceremony. The focus is now firmly on the films that earned the Academy's praise, particularly the record-breaking success of Ryan Coogler's “Sinners.” As the industry moves toward the final ceremony, the conversation will continue to center on the achievements of these nominated works.

However, the legacy of the 30 films that were rejected cannot be ignored. These movies will remain a point of discussion among cinephiles and critics, serving as a testament to the subjective nature of the awards process. The 2026 race is defined as much by who was nominated as by the notable and extensive list of who was not.